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Congratulations, Jens, on this important ineervitw of an increasingly important presence on the Nation's Capital's musical scene. And good luck on all your future musical and educational work with WGMS and its web-affiliate.However, I believe that the following sentence in your review above requires clarification:"His opening concert, meanwhile, opens with a tribute to the NSO and Maestro Slatkin in the form of the new American work [sic], Robert Henderson's Einstein's Violin ."How is this ten year old work by, I believe, a still London-based American music critic and composer, a tribute to the NSO and Maestro Slatkin? Did Mr Slatkin commission the work for one of his British affiliate orchestras a decade or so ago?And frankly, while I welcome Ivan Fischer's more formalized return to the Nation's Capital, and the NSO, as NSO principal guest conductor, his programming for the next season strikes me as uninspired, except perhaps for the program matching shorter works by Sibelius, Kodaly, and Richard Strauss. Don't you think that perhaps the American Youth Orchestra or the Montgomery County Classic Youth Orchestra could have been retained by Michael Kaiser and the Kennedy Center for the not that difficult to perform all-Mendelssohn and Shakespeare tribute, freeing the NSO for more challenging European, American, and Asian classical repertoire, including important repetoire from the 20th century?Unless he quickly shows greater independence and programming strength, I personally will not look forward to the possibility, mentioned by some, of Mr Fisher replacing Mr Slatkin as the NSO new chief music director. (The importance of this position going to a world-renowned American conductor, such as Kent Nagano, versus a European, Asian, or Latin American conductor is another subject...)Lastly, I compliment the Kennedy Center and the NSO on finally facing reality and lowering in price by 10 per cent the rear orchestra seats (20% of the floor?),which are hardly ever filled thus costing the Kennedy Center precious box office revenues, citizen good-will, and classical music education and outreach.
2014-11-16 12:26
Congratulations, Jens, on this important ineervitw of an increasingly important presence on the Nation's Capital's musical scene. And good luck on all your future musical and educational work with WGMS and its web-affiliate.However, I believe that the following sentence in your review above requires clarification:"His opening concert, meanwhile, opens with a tribute to the NSO and Maestro Slatkin in the form of the new American work [sic], Robert Henderson's Einstein's Violin ."How is this ten year old work by, I believe, a still London-based American music critic and composer, a tribute to the NSO and Maestro Slatkin? Did Mr Slatkin commission the work for one of his British affiliate orchestras a decade or so ago?And frankly, while I welcome Ivan Fischer's more formalized return to the Nation's Capital, and the NSO, as NSO principal guest conductor, his programming for the next season strikes me as uninspired, except perhaps for the program matching shorter works by Sibelius, Kodaly, and Richard Strauss. Don't you think that perhaps the American Youth Orchestra or the Montgomery County Classic Youth Orchestra could have been retained by Michael Kaiser and the Kennedy Center for the not that difficult to perform all-Mendelssohn and Shakespeare tribute, freeing the NSO for more challenging European, American, and Asian classical repertoire, including important repetoire from the 20th century?Unless he quickly shows greater independence and programming strength, I personally will not look forward to the possibility, mentioned by some, of Mr Fisher replacing Mr Slatkin as the NSO new chief music director. (The importance of this position going to a world-renowned American conductor, such as Kent Nagano, versus a European, Asian, or Latin American conductor is another subject...)Lastly, I compliment the Kennedy Center and the NSO on finally facing reality and lowering in price by 10 per cent the rear orchestra seats (20% of the floor?),which are hardly ever filled thus costing the Kennedy Center precious box office revenues, citizen good-will, and classical music education and outreach.
